The boots worn by Matthew Poncelet (Sean Penn) in the movie of Dead Man Walking. They are housed in the archives at DePaul University.

Overhead view of Angola Prison

The boots worn by Matthew Poncelet (Sean Penn) in the movie of Dead Man Walking. They are housed in the archives at DePaul University.

Aerial view of Death Row (top), Camp F (middle), and the Death House and chapel (bottom)

Boo

Helen first got to know Boo when she was visiting Eddie Sonnier, Patrick Sonnier’s younger brother. If you’ve read Dead Man Walking, you’ll recall that Pat was the first man that Helen visited on death row.

Boo and Eddie were great friends, in a place where friendship is a rare thing. The rules, constant monitoring, and hardship breed caution and suspicion; making a true friend in such an environment is a feat.

When Eddie died in 2013, Boo was cast adrift. He tends to keep to himself, spending much of his time in the workshop where he has handled most of the prison’s welding needs for the past 27 years. If you want to refit a prison van, fix a gas line, or order a seriously well-built barbecue pit, Boo’s your man.

Boo knows he is almost certain to die in Angola, as Eddie did. He said to me this visit, “I did a terrible thing that I will carry as a burden to the grave, and probably beyond.”

That knowledge hangs over each of our visits, even as we enjoy the time swapping stories and sharing food (good food—not the usual inmate fare—made by members of a couple of the prison clubs.)

The surreal world of death row

Camp F, reserved for the prison’s most trusted inhabitants, is wedged between the death house and death row; a grim outlook, despite the beds of colourful, trusty-tended flowers.

On death row, we visit Manuel Ortiz.

You might expect that our visits with Manuel, who has been on the Row for 30 years for a crime he did not commit, would be even more fraught than our time with Boo, especially since Louisiana’s newly-elected governor has been on a tear to get the execution chamber, long dormant, back into operation. But that’s not the case.

For some years, almost the only thing Manuel could talk about during our visits was his case, and little wonder! His trial was saturated with prosecutorial misdoings; his trial lawyer failed to challenge crucial errors; and, since he received his conviction, he has discovered that the most vulnerable person in the criminal justice system is the one who is truly innocent.

Over time, though, our visits have developed into joyful occasions. We still regularly discuss Manuel’s case, but our conversations also range far and wide, from classic movies—Manuel’s great passion—to US and world politics, to research for Helen’s new book, which will focus on Manuel’s case, to the everyday happenings in our lives. Yesterday, we were in stitches recounting our favourite bits in Mel Brooks’ ‘Young Frankenstein’, recalling each of the characters with relish.

It may seem strange that I call these times with Manuel joyful, given his situation and that we see each other in a tiny room in Death Row’s visiting wing, watched through a one-way mirror by a guard, But in some ways, it is the terribleness of his incarceration and sentence that intensify our delight in one another. Although he rarely mentions it, we are acutely aware that for him, these visits are the only good hours in his existence.

The drive home

When we leave Death Row, Helen and I often take a different route out of the prison. Instead of going by the Main Prison, we take a left and drive by Lake Killarney where herons and egrets and, in some seasons, roseate spoonbills, nest. Then the road runs past a couple of cemeteries—one for old guard dogs, the other for prisoners. Past the golf course (now closed) and B Line, where some guards (‘freemen’) and their families live, and then, finally, to the main gate, where the car is searched before we exit.

I usually park my car just outside the gate, so Helen drops me off there. In the car, I keep a mug of coffee. I’m not a big coffee drinker, but one of the things I learned early on in my visits to Angola, is that the cognitive dissonance of experiencing joyful visits inside a house of death tends to play out on the way home. Even though I leave Manuel delighted, as soon as I step outside Angola I am wrung out. After my first times there, I found myself having microsleeps on the narrow, winding Tunica Trace. That mug of coffee keeps me going until I can collapse at home.