The Journey to the Book
The graphic edition of Dead Man Walking has been brewing for six years.
Its creation involved deep dives into human rights, the use of art for social change, and the role of graphic books in transforming learning.
Author Rose Vines has tracked much of that creative history, as well as the criminal justice struggles that have fueled the work, in this blog. Scroll through and dive in, or open up the blog's table of contents below to jump quickly to a particular post.
Note: The dates on the blog posts refer to each article's original publication. Keep that in mind as you read each post.
i. How it all began…
What better way to explain Graphic Dead Man Walking’s beginning than by telling the story in images…
ii. Historic Meeting
The search for an illustrator turns up a gem when we come across a copy of Joseph Conrad’s Heart of Darkness, illustrated by Catherine Anyango Grünewald.
iii. Immersing in graphic novels
When you immerse in graphic novels, you immediately enter a world where words and pictures work together to build layers of meaning.
iv. Discovering Catherine
The search for an illustrator turns up a gem when we come across a copy of Joseph Conrad’s Heart of Darkness, illustrated by Catherine Anyango Grünewald.
v. Why a graphic Dead Man Walking?
Since Sister Helen Prejean’s Dead Man Walking was published in 1993, it has been transformed into an Academy Award-winning film, a play, and a hugely popular opera. What were our reasons for adding to this list of adaptations?
vi. A little bit about timelines
These posts about Graphic Dead Man Walking have, to date, been a catch-up journal, reaching back to when the book was a spark in Sister Helen Prejean’s eye. It might help, as you read them, to have a timeline of the book’s journey.
vii. The arc and the owl
How do you retell a story that’s more than 30 years old and keep it current? Enter the Owracle, a marginal character who provides a glimpse of “future history.”
viii. Fourteen thousand nine hundred and eight-four days
The task Sister Helen Prejean embarked upon in 1983, when she vowed to bring the American public into the country’s killing chambers, was generational work. We continue that work with this book.
ix. Comics and closure
Closure is a term shared by comics and by the conversation about the death penalty.
x. Spawning creativity
You must dig into myth and legend to discover another work which has been adapted as often as Dead Man Walking.
xi. Thank goodness for archives – Part I
Writing a script for Dead Man Walking required a staggering amount of research. I turned to the archives at DePaul University, which house Sr. Helen Prejean’s papers.
xii. Finished!
I awoke this morning to this image…
xiii. Thank goodness for archives – Part 2
The power of archives is like blood on your hands. Nothing quite beats the power of originals.
xiv. What is on your graphics bookshelf?
From Hot Stuff comics to Spiegelman’s Maus and Snyder’s On Tyranny, the contents of my graphics bookshelf has changed considerably.
xv. Prepping for the copy edit
Prepping for the copy edit, which is where every last detail in the script goes under a microscope.
xvi. AUDIENCE
There’s audience, and then there’s AUDIENCE. Who you’re writing for is key knowledge.
xvii. Homage to the drawn-out dramas of MAD magazine
We took a lead from MAD Magazine’s drawn-out dramas to give graphic Dead Man Walking a current spin.
xviii. An emptying death row
Pope Francis and Governor Gavin Newsom are two of those taking the lead to empty death rows for good.
xix. Nightmare
What it’s like to be a criminal justice first responder.
xx. Extreme Privilege
The special privilege of working with folks working for justice: lawyers, mitigators, mover, shakers, and the innocent.
xxi. Where do stories come from?
Stories are all around us. Sometimes all we need to do is pause, listen, observe to discover a story worth telling. Here’s a story from 9/11.
xxii. All hail the majestic copyeditor
Copyeditors are the bacon savers of the author’s world. The job of copyediting goes way beyond merely correcting misspellings.
xxiii. Writing is music
Writing is music, but there are no rules for cadence in writing. The lilt is the author’s trademark, not their straitjacket.
xxiv. All the way to the grave
A visit with a lifer and a man condemned to die in Angola Prison, Louisiana.
xxv. You’re not supposed to breathe
Willie Francis was the only person to be executed twice, but botched executions have never been a rarity.
xxvi. All Aboard the Justice Train
In the midst of turbulent times, music can act as a balm, helping us to find peace and rest or letting us dance it all out. Sister Helen’s Justice Train playlist is a communal list for difficult times.
xxvii. Criminal Innocence
“You must accept them and accept them with love. For these innocent people have no other hope.”
xxviii. How not to behave in prison
Advice from a first-timer.



























